Showing posts with label The Pains of Being Pure at Heart. Show all posts
Showing posts with label The Pains of Being Pure at Heart. Show all posts

April 26, 2011

The Pains of Being Pure at Heart & Twin Shadow @ Triple Rock Social Club 4/25/11 (Concert Review)



Last night, The Pains of Being Pure at Heart and Twin Shadow both made their Minneapolis debut, rewarding a sold-out Triple Rock crowd for their patience with two equally invigorating sets filled with 80s & 90s nostalgia, without ever sounding dated or forced.

Twin Shadow (aka George Lewis Jr.) kicked off the evening with a commanding 50-minute set focusing solely on 2010's Forget, a successful freshman record that I had found to be good, not great. After last night's set, though, I'm eager to revisit the 11 songs on Forget, as Lewis and his 3 backing touring members gave refreshing new touches on the entire record. "Slow" and "When We're Dancing" were executed perfectly, adding some spastic hi-hat to already danceable tunes. "Castles in the Snow" was the set's highlight, as Lewis & crew seemed to breathe in the positive energy that was being hurled at them from the appreciative crowd.

While the musicianship was first class, so was the banter with the crowd, allowing Lewis' endearing side to shine. Mid-set, someone exclaimed "Do you have shirts for people without chest hair?" After a quick grin, Lewis coyly retorted, "paint it on and become a fucking man." With two songs left in the set, one member of the crowd yelled out what could've been a collective perception of his peers, "why aren't you headlining?" It took a smitten Lewis a full song to answer, giving The Pains of Being Pure at Heart their due as deserved headliners. Twin Shadow launched into their final song, which delivered the only groan of the evening, but a positive one as it was just an indication that the crowd didn't want the set to conclude.

The Pains of Being Pure at Heart took the stage after a fairly quick intermission which saw some of the bouncing crowd disperse to make way for the shoegazers in the audience to move to the front of the stage. Kicking off with the title track to their excellent new record Belong, Pains instantly showcased why their young talent has been blessed with so much positive buzz in recent months. Much of the early set selections were from Belong, which somehow didn't manage to exhilarate the crowd as one would have expected (or maybe they were still tired from hopping around during Twin Shadow's set), but they still shone with expert craftsmanship. "The Body" and "Heart In Your Heartbreak" were dominant, while the nice little addition of "Higher than the Stars" was a welcome treat.

Like Twin Shadow's Lewis before him, Pains frontman Kip Berman has the poise of someone twice his age. The way his vocals ease into then ooze out of the microphone is reminiscent of 1/2 the bands you would've seen on Alternative Nation back in the day...maybe that's why I kept on thinking I was in an episode of My So Called Life...or at the Peach Pit After Dark. Berman's boyish charm began displaying itself in the second half of the set, and he began to look a little more comfortable as well, opting to chat with the crowd about, surprisingly, football. "Sorry about your quarterback situation," he said with minimal sarcasm, before discussing the merits of Adrian Peterson during the next song break. As Pains spiked in "Young Adult Friction" and a couple other tracks from their debut self-titled record, the crowd became just as relaxed. Berman blushingly thanked the crowd for their hospitality (while keyboardist Peggy Wang declared  they need to come back to the Triple Rock for Free Bacon Night) before launching into Belong's closer, the crunching "Strange."

While an encore wasn't necessary, Pains came back for a quick two songs and an invitation to the crowd to discuss football & indie-rock with them after the show, conversations in which several crowd members happily partook. 

March 24, 2011

The Pains of Being Pure at Heart - Belong (Album Review)


THE PAINS OF BEING PURE AT HEART * BELONG
(Slumberland/Collective Sounds)

I don't know if you can attribute it to nostalgia or just a nice change of pace, but I really can't get enough of recent 1990s revivalists. The Pains of Being Pure at Heart aren't straightforward 90s-lovers like [my current obsession] Yuck, probably because they've had a little bit longer to hone their craft. However, there's no doubt that the ten songs on Belong, their follow-up to their excellent self-titled debut LP, borrow slightly from some of the premiere bands of the early to mid 90s, including Smashing Pumpkins and The Cure. Lead singer Kip Berman has a whispy yet commanding voice. It doesn't dominate your ear buds with volume but begs your attention because of its sincerity. Nowhere is that more evident than in "Heart in Your Heartbreak," which may be the ideal radio single (if the band were on a larger label).

Belong is much more polished than their past output, and that can be argued both positively and negatively. Sure, the blushing naivety of TPOBPAH's earlier work was both charming and engrossing, but the new, hook-centric direction of the band invites them to showcase their burgeoning skills in alternate ways. As is heard on "My Terrible Friend" and "The Body," Belong shows the young quintet settling into a common idea of form & structure. All throughout, they're noticeably more cognizant of production. That's not to say this album is over-produced (because it's not); Belong is just obviously a product of planning, procedure and attentiveness to every little detail, whether it be an added guitar line, a locked hi-hat or the oh-so-little group pause between the bridge and chorus. All of those components result in maybe not the listen we were expecting, but definitely one that is desirable and capable of continued rotation.

With the slight change in direction TPOBPAH has taken, it's already easy to long for their more emotive past. Sadly though, the weakest moment in the album might be when the band tries to reconnect with that on "Anne With an E." In an album that is supposed to mark the young band's progression, "Anne With an E" seems like a [small] step backwards, and unfortunately, a little out of place. Thankfully, the anthemic "Even In Dreams" picks the record back up with a Weezer-esque vibe (seriously...replace Berman's voice with that of Rivers Cuomo...you'll hear it).

As the album steadily closes with the driving "Strange," we're again reminded of the band's humble infancy. Instead of a pounding exclamation to finish their second full-length, we're offered a slow fadeout that's as much a point of emphasis as it is a bow. TPOBPAH may not have gone about business as usual during the Belong sessions, but they absolutely created an enjoyable next step in what is still an adolescent career.

Grade: A-





March 10, 2011

The Pains of Being Pure at Heart - Belong (Full Album Stream)

The Pains of Being Pure at Heart are being super generous young kids & streaming their new album in full over at their website. Check out Belong, which is a little more in-your-face than their excellent 2009 self-titled release...and that's a good thing. They'll be in Minneapolis (with Twin Shadow) 4/25 at the Triple Rock. If you don't have a ticket yet, you better get on that.