SoundTown 2011 @ Somerset Amphitheater (Concert Review)

SoundTown, the 2-day festival marking the musical rebirth of the newly renamed Somerset Amphitheater, has come to an end, and despite possibly the most telling aspect seemed to be a negative (lack of attendance), it can be deemed a success. The Flaming Lips, New Pornographers, DeVotchKa, Delta Spirit, Okkervil River, Sims, Solid Gold, Pink Mink and more charmed crowds varying from a couple hundred up to 5,000+. While the turnout was definitely modest the bands (for the most part) acted as if they were playing to 10s of thousands, something definitely welcome for a festival in its infancy.

SoundTown Artists Mural

HIGHLIGHTS

Delta Spirit - Coming off a raucous Lollapalooza set a couple weeks back, the impassioned Californians truly broke-in the new massive mainstage with their energetic early Friday evening performance. They weren't the first to play on it (Cory Chisel played an endearing but less spastic set earlier in the day), but they did inaugurate it by truly exploring it's ridiculous size. Matt Vasquez bounded back and forth and hit all the right notes with a crowd eager to start their weekend party.

Sims - This year's breakout Doomtree member packed the Summit Tent for his prime Friday 8:00pm time slot. While he expertly delivered a high-powered set drawing mainly from his new album, Bad Time Zoo, it was hard for the crowd to keep their eyes off of Sims' partner in crime, Lazerbeak, who recreated most of the intense beats for the live setting. (Note: I recorded video of "Burn It Down," but the bass is overwhelming, drowning out everything else. I'll post it if it can be fixed)

The Flaming Lips - The festival veterans and appropriately chosen headliners delivered the kind of spectacle you would expect but could never fathom. Hell, I had seen it before, yet it still induced a jaw-dropping reaction. As they marched through their set, delivering the psychedelic showmanship that has garnered them such a devoted fan base, Wayne Coyne continuously urged the crowd to let their inner wildness loose. The countless balloons, confetti cannons, inflatable catfish and Wizard of Oz themed dancers didn't hurt either. They drew their set (and the festival) to a close with the communal "Do You Realize?," making for a truly sincere moment of appreciation from the glowing crowd.

The Flaming Lips' Wayne Coyne

The New Pornographers - The people that were complaining that The New Pornographers were without Neko Case or Dan Bejar for their Friday night headlining slot probably haven't seen the band live; the crowd is lucky when either or both of them are on tour with the group. Frankly, after Neko Case's disappointing Rock the Garden set, I was fine without her; Kathryn Calder shines a bit more sans Neko, and her voice pleasantly pierced through the crowd all evening. They played the songs fans would want them to play, even throwing in a Bejar-less "Testament to Youth in Verse," which thrilled the small number of devotees in attendance.

Best of the Rest - Solid Gold gave off the ideal sunny day vibe with their Saturday afternoon set, focusing heavily on new material (which sounds excellent) / Heiruspecs closed off the Summit Tent with authority Saturday night / Pink Mink was blistering as always

Solid Gold

LOWLIGHTS

Slick Rick - It didn't help that Doug E. Fresh was a last minute cancellation, but the old school hip-hop icon was out of place and seemingly out of breath, almost remaining stationary during his 30+ minute set. The Lifted Crew proved to be a commendable backing band, but let's be honest, no one was there to see them.

Ghostland Observatory - Their Friday night set looked impressive from afar (lasers! lasers! lasers!) but their synth and beat-heavy output sounded repetitive, obnoxious and dated.

Ghostland Observatory

Okkervil River - After putting on one of the better First Avenue shows I've seen this year, Okkervil River (unlike Delta Spirit the day before them) seemed taken aback by the lack of people attending their main stage set. It took a solid 40 minutes for Will Sheff & company to really hit a groove, but the late inning rally couldn't save the performance as a whole. (Note: bassist and all around good guy Patrick Pestorius hung out with the crowd to catch The Flaming Lips, and graciously offered to go on a backstage beer run for me and my friends...which we of course agreed to with no arm-twisting required)

Other Misses - Roma di Luna's much publicized planned split brought them a nice sized crowd for their Friday night set, but the shock of seeing the band without key/founding member Alexei Moon Casselle was too much to overcome, ultimately giving us a band that was just phoning it in / White Light Riot failed to connect with a crowd trying to rock out while Slick Rick was napping on the main stage.

WELL DONE

The Grounds - The new festival grounds were a welcome improvement for those of us that remember the Edgefests of yesteryear. The concrete floor eliminates the risk of mud pits on rainy weekends, while the permanent seating was a nice touch for concertgoers wanting to be closer to the action, but not on their feet.

Drinks - No Bud Light here. SoundTown's main beer stations served up Summit EPA and Summit Pilsener (and rumors of Summit Oktoberfest being available in the VIP area turned out to be true) for a reasonable $5 (in ticket form). For the same price, a variety of bottom tier mixed drinks were available as well, and were poured with a heavy hand.

Local Influence - Minneapolis loves its musicians, and its musicians love Minneapolis. Some of the most rabid sets of the weekend were headlined by local bands/artists, and many lesser known local acts got a nice taste of a larger crowd. The Arms Akimbo played a crisp early Saturday set and Pink Mink rocked as expected, but I was especially impressed by live hip-hop troupe More Than Lights, who delivered an early Friday set that really worked up the crowd.

The Arms Akimbo

ROOM FOR IMPROVEMENT

Food - Upon arriving back home Sunday morning, the only thing I craved were vegetables, lots and lots of vegetables. The fest's noticeable lack of variety in food vendors was incredibly disappointing (and I'm a carnivore...a Polish carnivore). Next year, maybe tame down some of the stereotypical fair food and focus a bit more on a quality/real ingredients. It took Rock the Garden a couple years to get it right, and I have the same hope for SoundTown.

Restrooms - I'm shocked that it took until Day 2 for my female compatriots to start tweeting about the lack of locks on the new [surprisingly nice] permanent bathrooms. Both sexes' bathroom stalls were sans locks, and that made doing your business all the more adventurous (but hey, still beats a porta-potty). These were a great addition, now they just need to be completed. 

Stages - While all three stages were impressive in their own right, it was the two temporary stages (The Summit Tent and Metromix stage) that were placed all too close to each other. While their speaker systems rarely competed, there was occasional overlap, making it more logical to move the confined tent to the other side of the grounds. The tamer Metromix stage also suffered from the immense sound delivered from the main stage, often drowning out its performers completely. 

SoundTown Festival Grounds

While it would be impossible to not notice this was SoundTown's first year, the experience was overall a positive one. The organizers were absolutely clued in on where to start, and can easily improve on the festival for the future. Throughout the day Saturday, buzz started to pick up regarding SoundTown 2012, to the point where 89.3 The Current's DJs (who introduced many of the bands) pushed fans to head to Facebook for recommendations on next year's lineup. SoundTown was definitely a step in the right direction, and it's comforting to know that the organizers are committed to making it bigger and better in the years to come. We need this kind of festival near Minneapolis, and it's on the right track.

Okkervil River, Titus Andronicus & Future Islands @ First Avenue 6/12/11 (Concert Review)

Last night at First Avenue, Okkervil River finally made their long-awaited and highly anticipated return to Minneapolis. Playing to a full (but not sold out) house, Will Sheff and company delivered on every level...but we'll get to that in a second.

If you didn't show up early for Future Islands, let's just say you missed out big time. For 35 minutes, frontman Sam Herring bounced around the stage like a dog chasing its tail. He was the spawn of Morrissey, Henry Rollins and the monster from Cloverfield. He wailed and screamed and howled and cried in anguish, then was chipper beyond belief between songs. He once stuffed his entire right fist into his mouth before slapping himself continuously on the face and chest. He gave it his all to a crowd with little to no background info on the trio. It worked...and Future Islands, with their sprawling synthed out vibe, sounded damn good in the process.

Titus Andronicus, arguably one of the hardest working young bands touring today, came on next and did what they do best...treated the receptive and appreciative crowd to 45 minutes of ear-shattering, face-blistering rock and roll. After supporting Bright Eyes over 2 nights at First Avenue in April, I really expected Titus Andronicus' next Minneapolis gig to be a headlining one of their own. Rather, they have carved out a nice little niche as go-to openers, easily getting the crowd revved up for that night's headliner. I don't know what I can say about them that I didn't already address the last time I saw them, but let's just say that they continue to push the limits of what good old blood on your fingers rock and roll should sound like. Last night was no exception, as they one-upped themselves a mere two months after they were last in town.

After two very different bands warmed up the evening, it was just appropriate that a third (sounding very unlike the first two) was headlining. Okkervil River took the stage shortly before 11pm to a simple backdrop depicting two of the dog-people from the new "I Am Very Far." Opening with the slow burning "White Shadow Waltz," the [touring] six-piece gave us a mere glimpse of what was to come. The first songs felt purposefully restrained, as if they wanted the crowd to be equally urgent before they burst forth. This was especially true of "A Hand to Take Hold of the Scene," which saw Sheff's teeth clenched as he searched for every important word. As "Rider" began, everyone (on AND off) stage had seemed to reach a comfortable state which allowed the performance to really open up. And let's talk about those drums on "Rider." Wow. I don't think the soundman at First Avenue has made a drummer sound that good in years. Cully Symington (also of Cursive fame) sounded brisk and pointed all night. Every fill was perfectly executed, every cymbal splash and crash expertly timed. His rhythm was the ideal complement to Sheff's hypnotic storytelling.

The set list was a nice mixture of new and old, and gave me a new understanding of the recent material. Two of my least favorite songs on the new record "Piratess" and "The Valley" were played beautifully back to back. Perceptions on recorded music can change when hearing live interpretations, and mine did just that. To everyone that heard me knock the new album's first two tracks in recent weeks, I stand corrected.

As the energy in the room peaked, Sheff did the unthinkable and brought the crowd to a self-induced silence (no 'hushes' or 'shhhhhs' here) with a captivating and intoxicating rendition of "A Stone" (a song noticeably absent from the setlist I snagged post-show). "A Stone" played out as one of those moments where you don't want to be anywhere else, and even if you did, your eyes, ears and feet would be motionless and useless as they fixated on Sheff, oozing his heart into the microphone. As he strummed the final chord, the crowd appeared to mouth a collective 'wow' before bursting into deep applause.

The main set closed with the one-two punch of "Our Life is Not a Movie or Maybe" and "Lost Coastlines," two crushing songs that revitalized a late Sunday crowd that didn't yet want to go home. After we were given a psych-out moment of the screen descending (cueing no encore), it did in fact raise again quickly so the band could give us three more songs, including the expected closer "Unless It's Kicks," which brought the room to appreciative hysteria, one that undoubtedly many of us had been waiting on for years.

Thanks for a good night Okkervil River. You're welcome back any time.

New Music from Battles, Okkervil River, Arctic Monkeys

I have been one of the more vocal opponents of the recent boom of one-word band names ending with an "S." That said, Battles' new single "Ice Cream" is one fine song. We'll have to wait until June 7th for their new LP to release, but check out the deliciously named track below:

Battles - Ice Cream (Feat. Matias Aguayo) by weallwantsome1



Okkervil River's much anticipated new record hits stores this May. They've been kind enough to offer a free download of its first single, "Wake and Be Fine,"  here:

Finally, Arctic Monkeys have announced a new album, the awfully named Suck It and See, to be released in early June. Here's the first single, "Brick By Brick," which sounds as bad as the album's name:

Quick Hits 3/4/11 (News, Concerts, Free Album Streaming)

Blake Sennett misses Donkey Lips

Rilo Kiley lead guitarist Blake Sennett (aka Pinsky from "Salute Your Shorts") has played second fiddle to Jenny Lewis for many years. After Jenny embarked on her solo career (and subsequent pairing with lover Johnathan Rice), I was crossing my fingers that Sennett would return to The Elected moniker and release a follow up to 2006's excellent Sun, Sun, Sun. Well he did it, and this week Spin posted the falsetto-rich new track here. A change of pace and a welcome back. The new album, Bury Me In My Rings, hits stores on 5/17 via Vagrant Records.

The Kills, appropriately smoking

Minneapolis clubs have been announcing a ton of high-quality gigs for the late Spring / early Summer as of late. Make sure you pick up tickets to the following before it's too late:

*The Kills w/ Cold Cave - 5/5 @ First Avenue

*Iron & Wine w/ The Head and the Heart - 6/8 @ First Avenue

*Architecture in Helsinki - 6/9 @ Varsity Theater

*Okkervil River w/ Future Islands (and maybe Titus Andronicus) - 6/12 @ First Avenue

These guys are still around?

Local dude-rock station 93X has announced plans to bring back X-Fest after a 7 year hiatus, 5/28 at Midway Stadium. The macho daylong festival will feature Godsmack, Puddle of Mudd, Black Label Society and various other bands I had no idea were still making music. I've wanted the station to bring back this festival for years now (well, I'd rather have it harken back to the Edgefest days). I think it's important for the Minneapolis area to host bigger outdoor festivals again. Given this lineup, though, I'm starting to think 93X forgot it's actually 2011. Details here.

If you're looking for some new music on the cheap (aka free), you can find new albums from the following currently available at a variety of free (and legal) streaming sites:

*Rural Alberta Advantage, Middle Brother, Beady Eye, Ron Sexsmith and more at Spinner.

*R.E.M., Wye Oak, The Mountain Goats, Kurt Vile and Alexi Murdoch at NPR First Listen.

*Elbow, DeVotchKa, Julianna Barwick and a ton more at 3VOOR12.